Sorry I haven't updated a lot recently, but I've been preparing to go back to school. That involves seating auditions, so wish me luck! In other news, I've started posting my fanfic at The Academy and The Athenaeum, which will hopefully mean more readers. I am a total comment whore, so the more readers the better! Now, on to today's topic...
Today, I'm going to talk about "borrowing", a not-frequently-talked-about-but-very-frequently-used practice. It is an especially helpful tool for beginning writers. This might sound a little bit like "cheating", so you need to be extremely careful how you use this particular tool. Writers can steal, tweak, and publish each other's ideas, but unless you have original material to substitute for most of the stuff you stole, doing this is worthless.
1. Stealing an idea
Only one idea per work, please. Don't steal the entire concept of a novel or you'll be found out. Pick and choose carefully, and then try and use the idea in a completely different way than the original writer did. Most of the best basic ideas are hundreds of years old anyway and have been used so many times that no one author has a claim to them.
2. Stealing a word or phrase
I have done this, but usually for descriptive adjectives to use during sex scenes. If a particularly vivid image strikes me, I open a word document and copy down something similar (but not identical). Because I like to come up with my own ideas as well, I usually only "steal" one (or maybe two) metaphors or images per sex scene.
3. Using models
The best writers read good books. This is less of something you "steal" than something you "absorb". Pacing is difficult to learn unless you have read a lot of books. If I am struggling with a scene, and see another scene that resembles the idea I'm going for, I will occasionally "model" my scene on that one in terms of pacing, but I DO NOT steal any words or phrases from that scene. My thought process is more like -entrance two paragraphs - argument three paragraphs - rapid dialogue - first physical contact - self-deprecating inner dialogue - sex begins.... something like that. Also, I try to completely change the location, characters, and genre of the book. For example, if I am using pacing ideas from a romance novel, I'll put it in a fantasy world. If I'm stealing pacing ideas from an epic fantasy battle scene, I'll turn it into a courtroom drama.
The 'models' idea can actually be used for entire novels (or sections of novels), but this is tricky. In theory, you could copy down the entire ratio of scenes (filler - action - humor - plot development - sex - ect) that fill one of your favorite novels and try to achieve the same ratio.
This might sound very confusing, so if you have any comments (especially on the 'models' part of the article), please chime in. I'm probably going to expand on this topic, because this particular post is a hodge-podge of rambling information in no particular order.
Now, I have to go pack away my entire wardrobe for school. Ta-ta
Saturday, August 28, 2010
Monday, August 23, 2010
Rome Wasn't Built In A Day, Running, and Other Metaphors
Sure, there are some days where the words pour from your fingertips in a waterfall of creativity and prose, but those days are exceedingly rare. As Holly Lisle, one of my favorite writers (especially when she writes about writing), says in one of her helpful articles: novelists are the long-distance runners of the writing world. Unlike sprinters or milers, long distance runners have to have a lot of endurance. Speed isn't necessarily the most important skill. It's all about pacing yourself. It doesn't matter how fast you go, only that you reach the finish line.
Every writer works at their own speed. My personal writing speed is completely erratic. Sometimes I can barely get down a couple hundred words, and other times I glance down at the word count and realize I've done five thousand in only a couple of hours. Being a fast writer is definitely nice, but not necessary. In the end, it isn't important whether you write faster than a Harlequinn romance novelist with two books out every year or spend what seems like forever on the same gigantic fantasy novel.
Right now, I am not very inspired to finish The Witch's Daughter, maybe because of the rejection from Bold Strokes, and I really want to work on my newest project, which is about an FBI agent and a closeted politician (I posted an excerpt already). However, I'm not giving up.
In order to inspire myself, I posted the first two parts on the websites I submit to for some comments and feedback. That always makes me write faster. My fanfiction is proof of that. The more reviews I get, the faster I write. If you are ever stuck on a project (make sure it is one that you really DO enjoy and want to finish), I suggest posting it half-finished instead of waiting. Although many people hate being left at a cliffhanger, myself included, it can be a personal motivator. (If you are one of those people who can NEVER seem finish a project, however, don't heed that advice and wait until you finish, or you might end up with a lot of disappointed fans.)
Dividing my attention between multiple projects also seems to be an effective way to unclog the writing tubes when I feel like I will never finish my novel. Again, this technique is not the best one to use for beginners that have trouble finishing what they start. If you fall in to this category, the only advice I can offer is to slug through the mud until you get to the finish line. There's no shortcuts, no easy way around it. You just have to finish. The more projects you complete, the easier it gets.
Being a writer is a lot harder than most people think. It requires a lot of stamina, a lot of determination, and a thick hide. But it is also very rewarding to sit and stare at a full word document that means something to you... and will, hopefully, mean something to others.
On another note, Rome cannot be built without help. Today (or tomorrow, since it's late tonight), take the time to thank all the wonderful people in your life that read your work and help you while you're running the novel race. It will make both of you feel good, and maybe it will also garner you some extra support and inspiration.
Every writer works at their own speed. My personal writing speed is completely erratic. Sometimes I can barely get down a couple hundred words, and other times I glance down at the word count and realize I've done five thousand in only a couple of hours. Being a fast writer is definitely nice, but not necessary. In the end, it isn't important whether you write faster than a Harlequinn romance novelist with two books out every year or spend what seems like forever on the same gigantic fantasy novel.
Right now, I am not very inspired to finish The Witch's Daughter, maybe because of the rejection from Bold Strokes, and I really want to work on my newest project, which is about an FBI agent and a closeted politician (I posted an excerpt already). However, I'm not giving up.
In order to inspire myself, I posted the first two parts on the websites I submit to for some comments and feedback. That always makes me write faster. My fanfiction is proof of that. The more reviews I get, the faster I write. If you are ever stuck on a project (make sure it is one that you really DO enjoy and want to finish), I suggest posting it half-finished instead of waiting. Although many people hate being left at a cliffhanger, myself included, it can be a personal motivator. (If you are one of those people who can NEVER seem finish a project, however, don't heed that advice and wait until you finish, or you might end up with a lot of disappointed fans.)
Dividing my attention between multiple projects also seems to be an effective way to unclog the writing tubes when I feel like I will never finish my novel. Again, this technique is not the best one to use for beginners that have trouble finishing what they start. If you fall in to this category, the only advice I can offer is to slug through the mud until you get to the finish line. There's no shortcuts, no easy way around it. You just have to finish. The more projects you complete, the easier it gets.
Being a writer is a lot harder than most people think. It requires a lot of stamina, a lot of determination, and a thick hide. But it is also very rewarding to sit and stare at a full word document that means something to you... and will, hopefully, mean something to others.
On another note, Rome cannot be built without help. Today (or tomorrow, since it's late tonight), take the time to thank all the wonderful people in your life that read your work and help you while you're running the novel race. It will make both of you feel good, and maybe it will also garner you some extra support and inspiration.
Thursday, August 19, 2010
Editing
Editing is something that some writers very much enjoy and that other writers absolutely hate. There are as many ways to edit your work as there are writers, and there is no one-size-fits-all editing bonanza package that you can use to polish your novel or short story. However, that does not mean that there aren't some hard and fast tools that I have found useful in my editing and beta-ing experience.
1. Strike a balance
You have to let the pendulum hang in the middle, somewhere between 'tweak the first chapter until I have memorized every word of every sentence' and 'oh screw it, I refuse to go back and correct spelling mistakes'. Rereading and re-writing rough patches is necessary, and it can even be enjoyable, but if you find yourself reading the same paragraph over and over again while lamenting that it isn't the prose of the Gods, you need to open up a blank word document and work on a different part of your project.
2. Have someone else read it
Get a beta-reader. I don't care how you do it, but just do it. I generally force my work on three people before sharing it. The first one is my girlfriend, who has put up with a huge amount of romance, drama, smut, fluff, battle scenes, monologues, and even the occasional poem. I even force the poor thing to read my Law and Order fanfics, which she hates, and she does it anyway because she loves me THAT much. The second is my friend Richard, who I usually look to for gut reactions and snippets. He is more of a testing board than a nitty gritty critic, but that's exactly what I need from him. The third part of my little group does most of the heavy lifting, and that's Lee, my beta. I shove huge files at her and somehow she fixes all of my extraneous commas and sometimes writes little notes in the margins. I don't know what I'd do without these people.
3. Listen to it out loud
Read to yourself out loud (hope no one is home, or at least not in the room, or you will embarrass yourself... trust me...) Download or purchase a text-to-speech program from somewhere. There are tons of free options, although my Mac has it for free. I have started doing this over the past several months, and trust me, it helps. Even though there's no great voice acting, the ear is able to pick out a misspelled word or a gap in phrasing much more accurately than the tired eye. Plus, you can listen to free stuff online while you're falling asleep! You DO get used to the robot voice, I promise. Mine's named 'Victoria' and I have actually started to enjoy her. Kinda scary, isn't it?
4. Do at least one large, huge, ginormous edit and then put it away and start something new
When you have finished a project (or a section of a project), take it out, dust it off, sit your butt down in the chair, and go through it with a fine-tooth comb. Then, forget about it. Don't go back and mess with it anymore, at least not for a while. You can pull it out again in a few weeks and look at it with fresh eyes, but if you work on the same stuff over and over again, it won't get any better. Do yourself a favor and choose something different to work on so that you won't go insane.
No novel will ever be "perfect". You have to get over that if you ever want to share with others. There is always going to be someone who could have done it better, there is always going to be a more fitting word choice or a better plot idea than the one you chose, there is always going to be at least one typo in a 75,000 word novel. But I do promise that the more you write and edit, the more your work will improve, and the more entertainment and joy you will be able to bring to yourself and others. Now stop being a slacker and go write something instead of reading this blog!
1. Strike a balance
You have to let the pendulum hang in the middle, somewhere between 'tweak the first chapter until I have memorized every word of every sentence' and 'oh screw it, I refuse to go back and correct spelling mistakes'. Rereading and re-writing rough patches is necessary, and it can even be enjoyable, but if you find yourself reading the same paragraph over and over again while lamenting that it isn't the prose of the Gods, you need to open up a blank word document and work on a different part of your project.
2. Have someone else read it
Get a beta-reader. I don't care how you do it, but just do it. I generally force my work on three people before sharing it. The first one is my girlfriend, who has put up with a huge amount of romance, drama, smut, fluff, battle scenes, monologues, and even the occasional poem. I even force the poor thing to read my Law and Order fanfics, which she hates, and she does it anyway because she loves me THAT much. The second is my friend Richard, who I usually look to for gut reactions and snippets. He is more of a testing board than a nitty gritty critic, but that's exactly what I need from him. The third part of my little group does most of the heavy lifting, and that's Lee, my beta. I shove huge files at her and somehow she fixes all of my extraneous commas and sometimes writes little notes in the margins. I don't know what I'd do without these people.
3. Listen to it out loud
Read to yourself out loud (hope no one is home, or at least not in the room, or you will embarrass yourself... trust me...) Download or purchase a text-to-speech program from somewhere. There are tons of free options, although my Mac has it for free. I have started doing this over the past several months, and trust me, it helps. Even though there's no great voice acting, the ear is able to pick out a misspelled word or a gap in phrasing much more accurately than the tired eye. Plus, you can listen to free stuff online while you're falling asleep! You DO get used to the robot voice, I promise. Mine's named 'Victoria' and I have actually started to enjoy her. Kinda scary, isn't it?
4. Do at least one large, huge, ginormous edit and then put it away and start something new
When you have finished a project (or a section of a project), take it out, dust it off, sit your butt down in the chair, and go through it with a fine-tooth comb. Then, forget about it. Don't go back and mess with it anymore, at least not for a while. You can pull it out again in a few weeks and look at it with fresh eyes, but if you work on the same stuff over and over again, it won't get any better. Do yourself a favor and choose something different to work on so that you won't go insane.
No novel will ever be "perfect". You have to get over that if you ever want to share with others. There is always going to be someone who could have done it better, there is always going to be a more fitting word choice or a better plot idea than the one you chose, there is always going to be at least one typo in a 75,000 word novel. But I do promise that the more you write and edit, the more your work will improve, and the more entertainment and joy you will be able to bring to yourself and others. Now stop being a slacker and go write something instead of reading this blog!
Tuesday, August 17, 2010
New Project
Well, never let it be said that Rae gives up without a fight. Since Bold Strokes does want to see more of my work (and they were actually very encouraging in their letter to me, which was personalized and not just a form letter), I am starting a new project. I'm not sure what title I will give it, but here's the gist and an excerpt.
Plot: Tess Daubney, the daughter of a prominent senator, is running on the Republican ticket in her first national election for one of Ohio's Congressional seats (2nd district). However, she has to make a choice when she gets entangled with Robin, the niece of her campaign manager. It's kind of ironic that, in this story, the Republican is the good guy and the Democrat is a total sleezebag. I usually vote Democrat (although I greatly admire Olympia Snowe), but I tend to judge individual politicians based on their moral fiber and their experience rather than their party.
Anyway, I'm still going to try to get TSS published. It's a damn good novel, and I'll find a way to get it out there somehow. I'm not sure what route I will take yet, but there are other publishing companies out there. However, I'd still like to publish something with Bold Strokes someday. They're a great publishing house, and I'm not at all offended by their rejection. From the tone of the letter, I gather that they just don't have room for fantasy right now in their next set of releases. If you've got ideas, tell me what you think!
Plot: Tess Daubney, the daughter of a prominent senator, is running on the Republican ticket in her first national election for one of Ohio's Congressional seats (2nd district). However, she has to make a choice when she gets entangled with Robin, the niece of her campaign manager. It's kind of ironic that, in this story, the Republican is the good guy and the Democrat is a total sleezebag. I usually vote Democrat (although I greatly admire Olympia Snowe), but I tend to judge individual politicians based on their moral fiber and their experience rather than their party.
Her legs still shaking, weak from what they had just done, Tess bent down to pick up Robin’s discarded clothes. Her jeans and underwear were slumped in a pile against one wall, and her shirt was on the other side of the room. The sleeve of her brown leather jacket peeked out from beneath the desk, but Tess was too distracted to notice it.
“Don’t do that yet,” Robin murmured, getting up from the chair and wandering over to wrap the smaller woman in her arms. She looked confused and a little hurt when Tess flinched, jerking out of the embrace. Looking uncomfortable, the blonde adjusted her skirt and began rebuttoning her blouse. She would have to find her bra and stockings later. They had to be somewhere underneath the furniture. “Tess, what ar-”
Tess shook her head, taking another step back to put more distance between them. She shoved the clothes into Robin’s outstretched arms, trying not to watch as the naked woman began to dress herself. “Love is for story books, Robin, not real people. I have a chance to do something great here, something bigger than just me or you... I – I can’t throw that away.”
“You’ve got to be kidding me.” Robin’s wounded expression urged Tess to take back what she had said, to change her mind. It took every ounce of strength that the blonde possessed to turn her chair around and face the wall. She couldn’t do this if she had to look at Robin’s haunted brown eyes.
“I think you should leave,” she said. Her voice wavered, cracking slightly, but Robin was too angry to notice.
“I guess now that you got what you wanted, you’re done with me,” Robin said, the disgust in her voice piercing the blonde’s heart.
All of the color drained from Tess’s face. “You have to understand, my job–”
“Oh, I understand perfectly. You’re throwing away something wonderful, something I’ve never felt before, without even giving it a chance... just because you’re a coward.” Not caring about the messy state of her hair, she finished pulling her shirt over her head and reached under the desk for her jacket, almost forgetting to button and zip her jeans. They felt stiff and uncomfortable against her legs. She should have been holding Tess right now, savoring her warm skin, soaking in the afterglow... not running off into the night like a high school kid sneaking through their girlfriend’s bedroom window. Obviously, what they had done meant nothing to her. She rubbed at stinging eyes with the back of her hand, glad that she and Tess had their backs to each other so that the other woman couldn’t see her fighting back tears.
“Robin...”
For a moment, both women forgot to breathe.
“I’m sorry things aren’t... different.”
She expected another argument, shouting, curses, something – but Robin did not try and convince her to turn her chair back around. She did not speak at all. She simply stood in silence, numbing herself against the sting of Tess’s rejection.
Staring at the drawn window shades because she could not bear to watch Robin leave, she listened to the quiet click of the door and the melancholy sound of retreating footsteps. Words rose in her throat, words calling the younger woman back, but she clenched her teeth and swallowed them back down. Hadn’t Robin already taken enough of her soul?
When she was sure that she was alone again, Tess finally let her defenses fall, collapsing onto the desk and burying her face in her arms, crying into the sleeves of her crookedly buttoned blouse.
Anyway, I'm still going to try to get TSS published. It's a damn good novel, and I'll find a way to get it out there somehow. I'm not sure what route I will take yet, but there are other publishing companies out there. However, I'd still like to publish something with Bold Strokes someday. They're a great publishing house, and I'm not at all offended by their rejection. From the tone of the letter, I gather that they just don't have room for fantasy right now in their next set of releases. If you've got ideas, tell me what you think!
Saturday, August 14, 2010
Bold Strokes Responded...
Well, Bold Strokes responded. It's half good news, half bad news. I received a personalized e-mail that said, basically: Your writing is good and your voice distinctive, but we are simply not looking to publish fantasy books at this time. We are interested in seeing some of your other work.
Right now, I am not sure what to do. My other works are, well...
Death Wears Yellow Garters is too zany and not nearly polished enough to be published.
Chopin at 3:00 in the Morning is far too "high school"...
My Name is Brianna is too short.
Everything else that I have written is for the fantasy genre... I am dealing with a storm of emotions right now, and I will not sure what decisions I will make in the future or what I will do next, but I do know one thing. I am not giving up. TSS is a damn good book, and I'm proud of it, and I'm sure that, eventually, it will find a home, whether it's with Bold Strokes or not. Even if I have to tear it apart and redo it completely... even if I have to focus on some non-fantasy for now because that's what publishers want... no matter what I end up doing, I'm getting that damn book published if it's the last thing I do. I'm not sure when or how, but it's going to happen.
In other news, I only have 10,000 words left to go on The Witch's Daughter. The first two parts are up on The Academy and The Athenaeum (or will be, shortly). Oh, and on fictionpress, but those parts still have some editing mistakes.
Right now, I am not sure what to do. My other works are, well...
Death Wears Yellow Garters is too zany and not nearly polished enough to be published.
Chopin at 3:00 in the Morning is far too "high school"...
My Name is Brianna is too short.
Everything else that I have written is for the fantasy genre... I am dealing with a storm of emotions right now, and I will not sure what decisions I will make in the future or what I will do next, but I do know one thing. I am not giving up. TSS is a damn good book, and I'm proud of it, and I'm sure that, eventually, it will find a home, whether it's with Bold Strokes or not. Even if I have to tear it apart and redo it completely... even if I have to focus on some non-fantasy for now because that's what publishers want... no matter what I end up doing, I'm getting that damn book published if it's the last thing I do. I'm not sure when or how, but it's going to happen.
In other news, I only have 10,000 words left to go on The Witch's Daughter. The first two parts are up on The Academy and The Athenaeum (or will be, shortly). Oh, and on fictionpress, but those parts still have some editing mistakes.
