Apparently, I write like Shakespeare and Stephenie Meyer... I'm not sure whether to be thrilled or terrified. I am contemplating ritual suicide... (for Meyer, not Shakespeare).
Have no idea what I'm talking about? Check out: http://iwl.me/
It's a website that lets you input text that you have written so that it can compare your writing style to those of several different authors. Now, I know this is all a bunch of smoke and mirrors, but I figured it'd be fun. When I entered in 'The Witch's Daughter', my latest project, the website told me that I wrote like... *gasp*... Stephenie Meyer! THE HORROR
... So I inputted The Second Sister and got William Shakespeare.
In case you were wondering:
Chopin at 3:00 in the Morning got Chuck Palahniuk.
Death Wears Yellow Garters got Dan Brown
My Name Is Brianna got Stephen King
Wolf's Eyes got JK Rowling
I guess this means my writing style is versatile? Oh well... I just hope my newest novel isn't REALLY close to Stephenie Meyer's frightening body of work...
Thursday, July 15, 2010
Sunday, July 11, 2010
Let's Talk About Sex
Sex is either extremely easy or extremely hard to write. I still have not figured out which. To some people, it comes naturally. I mean, there are only so many positions you can make love in, after all, and the general motions are usually the same. Writing them out isn't that difficult. On the other hand, in order to write a good sex scene, you have to be in the right mood, you have to have the right characters, the right location, the right words... you have to be inspired. Putting all that stuff together is hard work. Not to mention that we all feel embarrassment at some point when we imagine our mother reading what gets us going.
Here are the most common questions I get about sex scenes... *drum roll*
Qusetion: What word should I use for the female anatomy?
Short Answer: None.
Long Answer: It ALL depends on the scene and the characters. I can only tell you one way that I, as a reader, view certain words and their effect on me. Vagina completely turns me off. It reminds me of a trip to the gynecologist. Never, ever use this word or I will hit you. Pussy doesn't do it for me, either. Too cutesy. Try to use this word rarely or not at all. Cunt only turns my crank if used EXTREMELY sparingly, and only in BDSM scenes where dirty talk/control is one of the main elements. Once in a blue moon, I've seen it used well, but besides that... avoid that word, too.
Try describing specific parts of the landscape instead. It's a way to be more erotic! "Thrusting inside of the blonde/redhead/brunette" is better than "fucked her pussy/cunt/vagina". You might find that using a clever turn of phrase to AVOID a specific word will make your writing more erotic. Sorry if you are writing about a dude, but I have no suggestions for other words for 'penis'. They all make me giggle. I find penises highly amusing, but not erotic at all.
Question: When should I include my first sex scene?
Short Answer: Around the middle of the book.
Long Answer: Whenever you think it's right. Some romance novels start off with a sex scene. If you are writing a sequel, this will not seem strange at all (think Radclyffe and her webs of couples... the main couple usually bangs in the first chapter. The sexual tension is taken care of with whatever new couple she is hooking up, since she writes about multiple couples at once). Other romance novels don't add the sex scene until the very end. This can work, but building up to it is difficult, and you have less room to play. I advise going for it around the middle or 2/3rds of the way through. It just feels like a good spot to me.
Question: How long should my scene be?
Short Answer: As long as you want it to be
Long Answer: It varies. Factors that might influence your choice are the scene's location or its purpose in the book (yes, even sex scenes need to have some kind of purpose in the book...) Some of my favorite sex scenes are only a few paragraphs long. They have to have punch, though, for that length to work. Or you can go the long-winded route and make your sex scene take up an entire chapter (or two). This can be fun as well. Just go with it, and don't be afraid to experiment. It's fun!
Okay, that's about all I can write on this subject for now. I'll probably add to this topic tomorrow, it's a big one. (No sexual pun intended).
Here are the most common questions I get about sex scenes... *drum roll*
Qusetion: What word should I use for the female anatomy?
Short Answer: None.
Long Answer: It ALL depends on the scene and the characters. I can only tell you one way that I, as a reader, view certain words and their effect on me. Vagina completely turns me off. It reminds me of a trip to the gynecologist. Never, ever use this word or I will hit you. Pussy doesn't do it for me, either. Too cutesy. Try to use this word rarely or not at all. Cunt only turns my crank if used EXTREMELY sparingly, and only in BDSM scenes where dirty talk/control is one of the main elements. Once in a blue moon, I've seen it used well, but besides that... avoid that word, too.
Try describing specific parts of the landscape instead. It's a way to be more erotic! "Thrusting inside of the blonde/redhead/brunette" is better than "fucked her pussy/cunt/vagina". You might find that using a clever turn of phrase to AVOID a specific word will make your writing more erotic. Sorry if you are writing about a dude, but I have no suggestions for other words for 'penis'. They all make me giggle. I find penises highly amusing, but not erotic at all.
Question: When should I include my first sex scene?
Short Answer: Around the middle of the book.
Long Answer: Whenever you think it's right. Some romance novels start off with a sex scene. If you are writing a sequel, this will not seem strange at all (think Radclyffe and her webs of couples... the main couple usually bangs in the first chapter. The sexual tension is taken care of with whatever new couple she is hooking up, since she writes about multiple couples at once). Other romance novels don't add the sex scene until the very end. This can work, but building up to it is difficult, and you have less room to play. I advise going for it around the middle or 2/3rds of the way through. It just feels like a good spot to me.
Question: How long should my scene be?
Short Answer: As long as you want it to be
Long Answer: It varies. Factors that might influence your choice are the scene's location or its purpose in the book (yes, even sex scenes need to have some kind of purpose in the book...) Some of my favorite sex scenes are only a few paragraphs long. They have to have punch, though, for that length to work. Or you can go the long-winded route and make your sex scene take up an entire chapter (or two). This can be fun as well. Just go with it, and don't be afraid to experiment. It's fun!
Okay, that's about all I can write on this subject for now. I'll probably add to this topic tomorrow, it's a big one. (No sexual pun intended).
O Romeo, Romeo...
So, you want to add romance to your novel? Most people do. I've met a couple of writers (mostly males) who say: "but I'm writing a fantasy/sci-fi novel! I don't want to ruin it with romance!" You won't ruin it. Trust me. IF you do the romance right. In fact, if I had to classify myself as anything, I'd call myself a romance novelist. Some of my novels are epic fantasy/sci-fi adventures. I've got some smut out there, some YA novels... some courtroom drama/action/thrillers, ect. But ALL of them have romance at some point (and usually sex, either explicit or implied).
1. In order to write a good romance novel, you need strong characters. Characters are the building blocks of any novel, but they are extra important in a romance novel, because it's the interaction between the two characters that creates the tension and... release... ;D Avoid creating a standard boy-or-girl toy for your main character just so they have someone. The last thing someone wants to read about is a perfect lover. As with all characters, flaws give depth and color to a romantically involved pair.
2. Observe! Go back and reread your favorite romance novel (or any novel that has some romance in it, if you don't like pure romance). See what they author did and make a list of what you liked. If you are reading a new novel or short story that you dislike, try to figure out why and remember it. That's how good writers learn to write anything, romance or not. They read, see what works and what doesn't, and try to incorporate it into their own work.
3. Templates can be fun. As always, I advocate 'stealing' couples with a lot of chemistry and changing them around to make them your own. The Second Sister actually did not start as an Uber novel (Uber novels, for those of you who do not know, are lesbian romances placed in any time where the characters resemble the epic duo Xena and Gabrielle). I created Belle and Ellie on my own, although I changed Ellie's eye color from green to blue in order to match Gabrielle's description. Uber is great for beginners (and even those of us who are no longerbeginners), and you shouldn't feel bad for 'copying' another couple. Xena and Gabrielle are a template that was around long before the 1990s. The angsty warrior/protector and their redeeming, innocent lover is a volatile combination that has existed in literature for centuries. Besides, if you write an Uber, it's still original fiction, you can still publish it, and you get a ready-made group of fans in the Xena community! It's a good deal.
That said... Make sure your characters have enough originality so that people don't get bored. Add your own flavor, or the novel won't be worth reading. Even fanfiction writers do this. Every individual writer (and sometimes each individual universe belonging to a single writer) has a different 'flavored' version of their leading character(s).
4. Add conflict. There has to be something keeping your leading ladies (or dude(s), if you write straight/gay male romance) apart. No matter what point in the book the lovers fall in to each other's arms, there should be some looming, outside force conspiring to keep your characters from finding happiness. This can be a physical force such as a villain, or an internal force such as societal taboo (lesbianism? best friend's girl? feuding families?) or conflicting personality traits (one of your girls is afraid of commitment because of her dark past? One has other priorities like a child that require her attention?) You get the idea.
5. Decide how descriptive you want to get. Choose in advance how much of the 'action' you want to write out. In case you are very, very dense, I'm talking about sex. I can only say that deciding in advance is helpful. I also encourage writers to at least TRY to add some sex for fun, even if they "don't think they can write it". You can always fade to black and save that part in a secret file somewhere. No one else ever has to see it. But you might find that it enhances the novel. I'll make another complete post about writing sex scenes tomorrow, so this isn't the end of this subject!
1. In order to write a good romance novel, you need strong characters. Characters are the building blocks of any novel, but they are extra important in a romance novel, because it's the interaction between the two characters that creates the tension and... release... ;D Avoid creating a standard boy-or-girl toy for your main character just so they have someone. The last thing someone wants to read about is a perfect lover. As with all characters, flaws give depth and color to a romantically involved pair.
2. Observe! Go back and reread your favorite romance novel (or any novel that has some romance in it, if you don't like pure romance). See what they author did and make a list of what you liked. If you are reading a new novel or short story that you dislike, try to figure out why and remember it. That's how good writers learn to write anything, romance or not. They read, see what works and what doesn't, and try to incorporate it into their own work.
3. Templates can be fun. As always, I advocate 'stealing' couples with a lot of chemistry and changing them around to make them your own. The Second Sister actually did not start as an Uber novel (Uber novels, for those of you who do not know, are lesbian romances placed in any time where the characters resemble the epic duo Xena and Gabrielle). I created Belle and Ellie on my own, although I changed Ellie's eye color from green to blue in order to match Gabrielle's description. Uber is great for beginners (and even those of us who are no longerbeginners), and you shouldn't feel bad for 'copying' another couple. Xena and Gabrielle are a template that was around long before the 1990s. The angsty warrior/protector and their redeeming, innocent lover is a volatile combination that has existed in literature for centuries. Besides, if you write an Uber, it's still original fiction, you can still publish it, and you get a ready-made group of fans in the Xena community! It's a good deal.
That said... Make sure your characters have enough originality so that people don't get bored. Add your own flavor, or the novel won't be worth reading. Even fanfiction writers do this. Every individual writer (and sometimes each individual universe belonging to a single writer) has a different 'flavored' version of their leading character(s).
4. Add conflict. There has to be something keeping your leading ladies (or dude(s), if you write straight/gay male romance) apart. No matter what point in the book the lovers fall in to each other's arms, there should be some looming, outside force conspiring to keep your characters from finding happiness. This can be a physical force such as a villain, or an internal force such as societal taboo (lesbianism? best friend's girl? feuding families?) or conflicting personality traits (one of your girls is afraid of commitment because of her dark past? One has other priorities like a child that require her attention?) You get the idea.
5. Decide how descriptive you want to get. Choose in advance how much of the 'action' you want to write out. In case you are very, very dense, I'm talking about sex. I can only say that deciding in advance is helpful. I also encourage writers to at least TRY to add some sex for fun, even if they "don't think they can write it". You can always fade to black and save that part in a secret file somewhere. No one else ever has to see it. But you might find that it enhances the novel. I'll make another complete post about writing sex scenes tomorrow, so this isn't the end of this subject!
Saturday, July 10, 2010
How To End A Novel
Since I have already posted about how to begin a novel, here are some tips/guidelines for ending one on a high note. I am sure that you have all seen the "plot graph" before, but it's a good place to start anyway.
The first thing that I would like to mention about this picture is its deceiving proportions. The 'Resolution' and 'Falling Conflict' part of the line looks pretty big, right? Wrong. Once the CLIMAX happens, you want to get out of there as fast as possible without leaving your reader feeling cheated. The biggest event in your story has already occurred, and all that's left is the cool-down period. One or two scenes/chapters should wrap things up nicely. There is no need to drag the ending on forever. Get in, accomplish what you need to accomplish, and get out, just like clipping the beginnings and ends of scenes.
Another useful tip: unless you feel in your soul that it is absolutely necessary, I strongly advise against killing off your protagonist. Although the death of a hero can be extremely poignant, I recommend adding an 'expendable' sidekick/friend/wizardly guide/someone-likeable that you can redshirt in the final battle (for a Fantasy novel) or kill in some freak accident (for an angsty romance novel). Unless you have a very good reason for doing so, killing off your main character will only succeed in pissing off your readers.
Note: there is an exception to this rule. If you have written a godawful story/novel and want to move on, it is totally acceptable to end it (just for the sake of ending it) by killing all of your mediocre characters in some kind of fire or other natural disaster. Actually, doing this can be rather soothing for your frazzled nerves, and it will allow you to find some closure before moving on to your next project.
If you are writing a romance novel (or any novel with romance in it), for goodness sake, do NOT end the novel with the two main characters on the outs, even if you are planning a sequel so that they can fall back into each other's arms. Have them come together happily at the end. If you want to disrupt the relationship again in your sequel for more drama, feel free, but give the poor person who was kind enough to read your work a bone. Some more romance advice - do not have your characters constantly break up and make up. Once or twice is all right, but if it happens seven or eight times... it gets old. Fictional people in an on-off relationship are just as annoying as friends in real life that don't know when to let it stick or call it quits.
Writing a good ending is a little like cooking a complicated recipe. You want the right amount of left-over tension to make the reader want to buy your other books, but you want to leave the reader with a sense of peace after their journey with you. Do not endeavor to write your ending until you feel that the time is right. Also, you can write your ending WHENEVER the mood strikes, even if your novel is not finished yet. I usually pen my endings long before the middle of the book is finished. I find that they turn out better that way. Like your beginning, you will know when the time is right.
The first thing that I would like to mention about this picture is its deceiving proportions. The 'Resolution' and 'Falling Conflict' part of the line looks pretty big, right? Wrong. Once the CLIMAX happens, you want to get out of there as fast as possible without leaving your reader feeling cheated. The biggest event in your story has already occurred, and all that's left is the cool-down period. One or two scenes/chapters should wrap things up nicely. There is no need to drag the ending on forever. Get in, accomplish what you need to accomplish, and get out, just like clipping the beginnings and ends of scenes.
Another useful tip: unless you feel in your soul that it is absolutely necessary, I strongly advise against killing off your protagonist. Although the death of a hero can be extremely poignant, I recommend adding an 'expendable' sidekick/friend/wizardly guide/someone-likeable that you can redshirt in the final battle (for a Fantasy novel) or kill in some freak accident (for an angsty romance novel). Unless you have a very good reason for doing so, killing off your main character will only succeed in pissing off your readers.
Note: there is an exception to this rule. If you have written a godawful story/novel and want to move on, it is totally acceptable to end it (just for the sake of ending it) by killing all of your mediocre characters in some kind of fire or other natural disaster. Actually, doing this can be rather soothing for your frazzled nerves, and it will allow you to find some closure before moving on to your next project.
If you are writing a romance novel (or any novel with romance in it), for goodness sake, do NOT end the novel with the two main characters on the outs, even if you are planning a sequel so that they can fall back into each other's arms. Have them come together happily at the end. If you want to disrupt the relationship again in your sequel for more drama, feel free, but give the poor person who was kind enough to read your work a bone. Some more romance advice - do not have your characters constantly break up and make up. Once or twice is all right, but if it happens seven or eight times... it gets old. Fictional people in an on-off relationship are just as annoying as friends in real life that don't know when to let it stick or call it quits.
Writing a good ending is a little like cooking a complicated recipe. You want the right amount of left-over tension to make the reader want to buy your other books, but you want to leave the reader with a sense of peace after their journey with you. Do not endeavor to write your ending until you feel that the time is right. Also, you can write your ending WHENEVER the mood strikes, even if your novel is not finished yet. I usually pen my endings long before the middle of the book is finished. I find that they turn out better that way. Like your beginning, you will know when the time is right.
Thursday, July 8, 2010
Letter
Just a little something I wrote while feeling frustrated today. Might send it, might not, but if I do, it'll be edited again first. I know that it sounds a little "whiney".
Dear Mr. Wolf,
First of all, I wanted to thank you for creating several amazing television shows, including my favorite, Law and Order: SVU. I am not sure if you will ever read this letter, as I am sure that you receive many others, but I had to write it for myself anyway.
In addition to being a writer, an artist, and a musician, I am also a lesbian. I should probably add that I am a diehard Alex Cabot/Olivia Benson fan. I was disappointed with the whole Babs Duffy thing (she was pretty annoying), but usually, you’ve got a friendly attitude towards the LGBT community, and we appreciate it.
However, every time I watch Law and Order: SVU, no matter how much I enjoy it, there is an ache in my chest. It is an ache that all gay, bisexual, and transgender people carry around with them. A longing.
When I was little, I searched for role models just like other young girls. I loved Disney movies, but wanting to be a princess and marry one as well confused me. At twelve, I spiraled into a deep depression. Over the next two years, I attempted suicide twice. Only the love of my best friend, who is now my girlfriend of six years, saved me.
During my recovery, one of the things that helped me was fanfiction and original fiction about lesbians. It might seem silly, but it eased my pain to imagine that somewhere out there was a strong, confident woman who was like me. In my slice of WASP suburbia, I was the only lesbian I knew apart from my girlfriend. The internet was a safe way to share my secret dreams and hopes.
Although it helped me, becoming a fangirl of lesbian pairings (especially Alex/Olivia) was a two-edged sword. I gained confidence, but I knew that my dream would never become a reality no matter how many stars I wished on. I longed for one – just one – gay role model that wasn’t from a soap opera like The L Word.
No matter how many stars I wish on, I know the whole Alex/Olivia thing is never going to happen. Stephanie March is gone (again), and television has always been cautious about giving us lead roles. I suppose we crash ratings or something. But I wanted to spread a message.
Somewhere, a young gay teenager just like me is desperately searching for a role model she will never find. Maybe suicide wouldn’t have seemed so attractive if I had been able to watch a gay character on TV and envision a future like theirs – a successful future instead of a painful one. It would have been like a light at the end of the tunnel. It would have helped me forget the pain of breaking my parents' hearts, having to choose between missing prom and going alone, and the constant bullying.
This isn’t a demand or a plea... I guess I just wanted to let someone in the whole TV/Movie industry know how we feel (and judging by the fan websites out there, there are a lot of us)! We’re still waiting for the first mainstream show to have a central lesbian character/relationship. No, The L Word totally doesn’t count – it’s basically a bunch of hot women sleeping around and causing unnecessary drama. Definitely not the kind of role models I want.
Maybe someday (assuming you actually read this letter), you will be in the position to mention it to the boring old “men in black suits” that make the money decisions and select pilots. Maybe someday, we’ll go farther than Xena, Warrior Princess ever could. Maybe someday, a teenager will be able to envision a better future for herself.
Thanks and best wishes, your faithful fan,
Rae D. Magdon
Dear Mr. Wolf,
First of all, I wanted to thank you for creating several amazing television shows, including my favorite, Law and Order: SVU. I am not sure if you will ever read this letter, as I am sure that you receive many others, but I had to write it for myself anyway.
In addition to being a writer, an artist, and a musician, I am also a lesbian. I should probably add that I am a diehard Alex Cabot/Olivia Benson fan. I was disappointed with the whole Babs Duffy thing (she was pretty annoying), but usually, you’ve got a friendly attitude towards the LGBT community, and we appreciate it.
However, every time I watch Law and Order: SVU, no matter how much I enjoy it, there is an ache in my chest. It is an ache that all gay, bisexual, and transgender people carry around with them. A longing.
When I was little, I searched for role models just like other young girls. I loved Disney movies, but wanting to be a princess and marry one as well confused me. At twelve, I spiraled into a deep depression. Over the next two years, I attempted suicide twice. Only the love of my best friend, who is now my girlfriend of six years, saved me.
During my recovery, one of the things that helped me was fanfiction and original fiction about lesbians. It might seem silly, but it eased my pain to imagine that somewhere out there was a strong, confident woman who was like me. In my slice of WASP suburbia, I was the only lesbian I knew apart from my girlfriend. The internet was a safe way to share my secret dreams and hopes.
Although it helped me, becoming a fangirl of lesbian pairings (especially Alex/Olivia) was a two-edged sword. I gained confidence, but I knew that my dream would never become a reality no matter how many stars I wished on. I longed for one – just one – gay role model that wasn’t from a soap opera like The L Word.
No matter how many stars I wish on, I know the whole Alex/Olivia thing is never going to happen. Stephanie March is gone (again), and television has always been cautious about giving us lead roles. I suppose we crash ratings or something. But I wanted to spread a message.
Somewhere, a young gay teenager just like me is desperately searching for a role model she will never find. Maybe suicide wouldn’t have seemed so attractive if I had been able to watch a gay character on TV and envision a future like theirs – a successful future instead of a painful one. It would have been like a light at the end of the tunnel. It would have helped me forget the pain of breaking my parents' hearts, having to choose between missing prom and going alone, and the constant bullying.
This isn’t a demand or a plea... I guess I just wanted to let someone in the whole TV/Movie industry know how we feel (and judging by the fan websites out there, there are a lot of us)! We’re still waiting for the first mainstream show to have a central lesbian character/relationship. No, The L Word totally doesn’t count – it’s basically a bunch of hot women sleeping around and causing unnecessary drama. Definitely not the kind of role models I want.
Maybe someday (assuming you actually read this letter), you will be in the position to mention it to the boring old “men in black suits” that make the money decisions and select pilots. Maybe someday, we’ll go farther than Xena, Warrior Princess ever could. Maybe someday, a teenager will be able to envision a better future for herself.
Thanks and best wishes, your faithful fan,
Rae D. Magdon
